"Whitish and indigo black large forests, destroyed by excess humidity, are at least as inspiring creative platforms as the fire-devoured ecological catastrophe epicentres, with their armies of charred cinders. I can get excited by a dried up, ragged piece of tree; the brutal life force of nature lives its afterlife in these forms before final destruction and fading. The connection with eternity, the presence of a physical substance as a “recycled” material could be surprisingly expressed by a sedimentary rock – I have seen Creole architecture, in which the fully “abstract” surface of the limestone wall blocks suddenly shows fossil “figurativeness” and millions of years of history become visible in an omnipresent way!
Being on the road has been my author’s position as an artist for decades already, both in its literal and indirect meaning; in addition to straight pathways, I also appreciate the logic and rhythm expressed in complex urban structures; in addition to natural rock deserts, I also consider urban conglomerates as grand. As an artist who values the methods of abstract art most highly, I want to be the (re)creator of textures/forms similar to natural forms – not an imitator. Freedom and independence of the artist’s creations in today’s world is of course simply illusory – we refer to and interpret existing art codes through the cultural memory in one way or another, even if, as individuals, we obtain existential depth from the archetypal collective subconsciousness and believe in the uniqueness of an artist’s style."
Jaan Elken's exhibition “Hluhluwe” will remain open at Haus Gallery until 10 November 2018. The exhibition is supported by Cultural Endowment of Estonia.